4.21.08

Spring and Summer Exhibition Schedule and More

Benham Gallery, Seattle, WA
April 16 - May 24

I'm very excited to be participating in a two person show, Spatial Relations at the Benham Gallery. I will be joined by noteworthy architectural photographer, Stephen L. Rosen. Please join me in Seattle at the artist reception on May 1.

"Artists have been recreating the way we experience space by manipulating the way we view it. The use of line, objects, placement and texture are tools artists have to allow us to perceive 3 dimensions in a 2 dimensional medium thus allowing us to experience it in a new way."

Harvard Magazine Article
May - June

Here is a nice write-up that is in the current issue of Harvard Magazine. It also contains a link explaining the scientific work of our research group at Harvard.

Clark Gallery, Lincoln, MA
June 4 - July 19

Clark Gallery has been on the scene since 1976 and is nestled in the woods of Lincoln, MA, just minutes from the DeCordova Museum and the Gropius House. This group exhibition, Staged, features Cynthia Greig, Nancy Hill, Kathleen Volp and myself.

"Staged¬Ýconsiders the history of the still life as subject but pushes its meaning, significance, and long tradition . ¬ÝThe dates are June 4 through July 19, 2008 with an opening reception on Saturday, June 7th from 4-6pm."

9.30.07

Fall Exhibition Schedule

There is much going on, as of late! I've been getting ready for four simultanious exhibitions, which will be happening in the next several weeks:

Peer Gallery, New York, NY
October 25 - December 1
Michael Mazzeo's Peer Gallery is a rising star of NYC's Chelsea Gallery district. Michael and well known Curatorial Advisor, John A. Bennette, have created a modern and beautiful exhibition space that showcases the work of an international roster of artists. They have received abundant press attention and piqued the interest of many collectors, in what is known to be, the most competitive gallery district on the planet. I am proud to be showing my work there and will be joined with fellow artist, Alison Carey. Please come to the opening at 5:00 PM on Saturday, October 27!

International Discoveries, FotoFest Headquarters, Houston, TX
October 25 - December 8, 2007
Twelve of my images will be displayed at FotoFest:

"Every year FotoFest visits similar festivals in France, Poland, Bratislava, Brazil, Portland and elsewhere around the world to participate in portfolio reviews and look at work from artists. This exhibition will feature nine of the most interesting "Discoveries" uncovered by FotoFest at these events. Artists include Alessandra Sanguinetti (New York), Kelly Flynn (Miami), Przemyslaw Pokrycki (Poland), Jesus Jimenez (Mexico) and John Chervinsky (Boston)".

Massachusetts Institute of Technology, Cambridge, MA
September 2007- August 2008

"Boston's Photographic Resource Center together with the Center for Theoretical Physics at MIT have established a joint photographic exhibition program in the CTP's new space at MIT. The first exhibit in the program will feature the works of John Chervinsky. His exhibit is entitled "An Experiment in Perspective" and will be on display from September 2007 through August 2008 at the Center for Theoretical Physics, on the third floor of Building 6 at MIT".

MIT has a very long history of displaying works of art in its science buildings. It is, in fact, a requirement in their charter, to spend 1% of their building construction costs on art. There is a distinctly different attitude at Harvard, where I work. A noteable exception, however, is the very fine photographic work of SETI researcher, Professor Paul Horowitz - they located outside of his office in Lyman Hall.

Have a look below at MIT's newly constructed Building 6. It is where you will find my work, and important work from the List Gallery collection. The beautiful floor was designed by the recently passed, Sol LeWitt. I think it may have been his very last project. LeWitt, is of course, one of the most influential minimialst and conceptual artist of our time. MIT seems to be acknowledging that the scientist has much to gain from the untethered mind of the artist. I think that all good scientists are artists and all good artists are scientists - but they rarely talk to each other. Hats off to MIT for fostering a dialog between the artist and the scientist.


MIT's Building 6

PhotoEye Gallery, Santa Fe, NM
Beginning October 24

PhotoEye Gallery is a hidden jem of Santa Fe and one of the most vibrant photography enterprises in the country. It was established in 1995 by Rixon Reed and has shown the work of established masters such as John Cohen and Jock Sturges. It is also known to feature the work of contemporary stars such as Kate Breakey, Hiroshi Watanabi, and Jo Whaley. My work will be up during Mark Klett's 'Saguaros' solo exhibition.


6.09.07

New Work!


The Geometry of Meaning, 2007

5.13.07

Wright State University Exhibition

Last month, I had the pleasure to travel to Dayton, OH - the home of Wright State University. Photography professor Ron Geibert has produced a remarkable DVD: Photography Now, 100 Portfolios - it is an international survey of contemporary photography and has audio commentary and contains 1,200 images. I am honored to be on the DVD, and to have taken part in the exhibition. I was also one of three artists to have work purchased for their permanent collection.

After the artist reception, I took part in a question and answer session with photography students alongside digital artist, Maggie Taylor. Maggie had her wonderful images up in the adjacent gallery - it was not the first time that I had shown with her; my very first solo exhibition at the Griffin Museum of Photography in Winchester, MA, featured the same series.

It was also great to meet photography professor Ben Montague. Ben's series Images of Conflict, are images taken from television news footage of the war in Iraq and of video games. He then prints the images using a alternative photographic process, the dry plate tin type. With this work, Ben makes a compelling statement about the war, and about our media driven perceptions. His use of the historic process, seems to suggest that was as being an ever present part of our nature.


Soldier #1 - Photo Credit: Ben Montegue

Photolucida 07

"Every other Spring an international set of photographers and reviewers gather in Portland Oregon for a week-long celebration of photography. Our mission: an increased understanding of the world through photography."

Photolucida is my favorite of the photo festivals, because of it's manageable size and that it is run by a friendly and committed group of people. Memorable highlights include the Louie Palu lecture, The Portland Grid Project exhibition and a solo exhibition by Chris Rauschenberg.

12.30.06

BLUE SKY GALLERY EXHIBITION

The exhibition at Blue Sky Gallery in Portland, Oregon was a huge success! There was a great response at the opening, and a full house at my lecture the following evening. There was ample press coverage, and the Portland Art Museum purchased a print for their permanent collection.

It was was my privilege to have my photographs featured alongside the work of Preston Wadley. At first glance the project seemed very different from mine. I was attracted, however, to his spare conceptualization and obvious aesthetic integrity. It eventually became clear that our thought process and working style were very similar - so much so, that Preston exclaimed to everyone that we were "twins"! For me, a magical aspect of Preston's work, lies in the moment of transference from left to right, the very instant that the eyes cross the binding of the book, from one page to the next. The moment that a single association is compounded by another; a 90 degree mirroring perhaps, of the transition over the horizon point in my imagery.

How fortunate we both were that the exhibition committee saw the wisdom of pairing us, and how lucky I am to have met such a cool and interesting artist.

I also would like to thank everyone at the gallery for their kindness, enthusiasm, and for all the hard work done to make the exhibit happen.
Blue Sky Gallery - Photo Credit: Smith Eliot


11.05.06

PRC|POV EXHIBITION

It was a great honor to be chosen for Boston's Photographic Resource Center's PRC|POV - Photography Now and The next 30 years.

I was nominated by Polaroid Collection's Barbara Hitchcock. Barbara has been a big supporter over the years - not only has she attended most of my local exhibitions, but my inclusion into Polaroid's prestigious Artist Support Program has put me in very good company and given me the opportunity experiment freely with Type 55 film.

The exhibit is best summarized by PRC curator Leslie Brown:

"To create PRC|POV the PRC solicited current and former staff, board, and other luminaries for nominations of emerging artists, scholars, organizations, publications, and the like, that are just getting attention (or deserve more) as well as those that will make a significant contribution over the next 30 years."

You can visit a permanent on-line version of the exhibit here: www.bu.edu/prc/prcpov/index.html


PRC|POV Opening - Photo Credit: Jim Fitts


09.18.06

THYLIAS MOSS COLLABORATION

I have always seen my work as the have a strong relationship to the written word - especially poetry. So when I was invited to collaborate with Thylias Moss, author of 10 books of poetry, recipient of a MacArthur genius grant, a Guggenheim Fellowship Grant and named as a canonical poet by esteemed critic Harold Bloom, I was intrigued to say the least. As I have slowly gotten to know her very dense and wonderful work. I am excited that she has expressed interest in our coauthoring a book - my images, her poetry.

It was truly a pleasure to get to know Thylias personally. One of the things that I admire greatly, is her fearlessness. To give you some insight: As a full tenured professor of poetry at the University of Michigan in Ann Arbor, she moved her office out of the beautiful vine covered building that houses the English department, across town to the North Campus near the college of engineering. She wanted to have access, and for her students to have access, to the computational labs, including the state of the art audio and video tools NOT available in the English department. While she has made an obvious mark on the two-dimensional page, it is also too small a volume to contain the force of her intellect. We are all lucky to have her.

On Thursday September 14th, Works of Pleasurable Complexity was performed in a state of the art video studio on University of Michigan, in Ann Arbor. From the press release:

"Moss and Chervinsky, accompanied by video-poetic student artists and UM Prof of Music Ed Sarath and his students, will be creating a multi-faceted and kinetic event around the theme of Place Value. This collaboration will explore the need for poetry to embrace digital and other modes of expression often seen as outside of poetry... Another component of this event will be an exhibit of the work of Moss and Chervinsky, as well as Ansted Moss, that will be held from Sept. 13th through Sept. 21st in the Gallery in the Duderstadt Center."


Thylias Moss -
Photo Credit: Kirsten Chervinsky

An interesting and component to the performance (and the exhibition) was an experimental video that Thylias produced, Pleasurable Complexity. It was a explorative, visual, sonic and poetic response to my still lifes. I would be lying if I told you I was not deeply moved to see this presented on a large screen in front of a packed house.


Still from "Pleasurable Complexity" by Thylias Moss

An on-line presentation of the video (albeit a very small one), can be found at http://playgallery.org/videos/155/.


Pleasurable Complexity Performance
- Photo Credit: K. Chervinsky